本项目:
恐惧的劳动: The Modern Horror 电影 Goes to Work, coedited with Jason Middleton, University of Texas Press, 2023.
Impossible Ghosts: Material Culture at the Limits of Evidence (进行中).
The Racial Hand in the Victorian Imagination, Cambridge University Press (September 2015)
911后的恐怖 World of Fear, Cinema of Terror. Volume on the politics of 恐怖电影, co-edited with Sam J. Miller, University of Texas Press (November 2011)
"The Deceivers: Art Forgery and Identity in the Nineteenth Century", Cornell University Press (2006)
Journal Articles and Book Chapters:
"The Terror of Very Small Words: Hereditary and the Miniature Scales of Horror." Forthcoming in Discourse.
"Ride-Sharing with Little Nell: The Gig Economy of Charles Dickens's The Old Curiosity Shop.第55篇.2 (2022): 240-262.
“Ghost Speed: The Strange Matter of Phantom Vehicles.” Victorian Literature and Culture 50.3 (20-22): 1-28.
“Live Burial: Jordan Peele’s 离开 and the Sunken Places of the Female Gothic.” 叙述 29.3 (2021): 297-320. Winner of the James Phelan Award for Best Essay in 叙述, 2021.
“Killing Us Softly: Shopping and Disaster in Ming La’s 遣散费.” Post45.
"Hands at a Séance: Manual Evidence in Victorian Spiritualism and the Ghost Story," Victorian Hands: The Manual Turn in Nineteenth-Century Body Studies, eds. Peter Capuano and Sue Zemka (Columbus: Ohio State Press, 2020), pp. 90-106.
“Devil in the Details: The Uncanny History of 罗伯特。 Eggers’s 女巫.” 电影 & 历史, 49.1 (2019) 4-20.
“Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s 夜之夜 活死人,” Comics and Pop Culture: Adaptation from Panel to Frame, eds. Barry Keith Grant and Scott Henderson (Austin: University of Texas Press, 2019), pp. 265-78.
“物质.” Victorian Literature and Culture, 46.3-4 (2018): 757-59.
“Familiar Things: Snow Ball ’84 and the Problem of Straight Nostalgia,” “陌生的东西 和现在的怀旧， Post45.
“Freaks of Furniture’: The Useless Energy of Haunted Things.” 维多利亚时期的研究 59.2 (Winter 2017): 209-34.
“Parenting through Horror: Reassurance in Jennifer Kent’s 的Babadook (2014).” 相机 针孔 95 (2017): 1-27.
“The Art Forger’s Innocence,” Fake—Fälschungen, wie sie im Buche stehen, ed. Henry Keazor, Universität Heidelberg, 2016.
“Spectral Matter: The Afterlife of Clothes in the Nineteenth-Century Ghost Story.” 维多利亚时代的审查 41.1 (Spring 2015): 67-88.
“Rules of Digital Attraction: The Lure of the Ghost in Joel Anderson’s 蒙戈湖.” 季度回顾 电影及录像.
"Mickey Horror: Escape from Tomorrow a nd the Gothic Attack on Disney," 电影的季度 68.4 (Summer 2015): 36-43.
The Men Who Knew Too Much: Henry James and Alfred Hitchcock (Oxford UP, 2012).
“The Potter’s Thumb/The Writer’s Hand: Manual Production and Victorian Colonial 叙述s,小说42.2 (2009): 253-60.
“Cosmetic Tragedies: Failed Masquerade in Wilkie Collins’s The Law and the Lady,” Victorian Literature and Culture 37 (2009): 463-81.
“What Some Ghosts Don’t Know: Spectral Incognizance and the Horror 电影,” 叙述 17.1(1月. 2009): 95-108.
“Take Me: The Rhetoric of Donation,” The Anatomy of Body Worlds: Critical Essays on Gunther von Hagens’ Plastinated Cadavers, eds. T. Christine Jespersen, Alicita Rodríguez, and Joseph Starr (Jefferson, NC: McFarland, 2008).
“Hands of Beauty, Hands of Horror: Fear and Egyptian Art at the Fin de Siècle,” 维多利亚时期的研究 50.2 (2008): 263-71.
"Monsters and Critics," 电影的季度 61.3 (2008).
"Christina Rossetti," Encyclopedia of British Literary 历史, Oxford University Press.
"Monster Pains: Masochism, Menstruation, and Identification in the Horror 电影," 电影的季度 58.3 (2005) 摘要。 | PDF (194kb)
"Tautological Crimes: Why Women Can't Steal Jewels," Novel 37.1/2 (2004)
复习复习, 罗伯特。, A Geography of Victorian Gothic Fiction (Oxford: Oxford University Press, 1999). Nineteenth-Century Contexts 25.3 (2003).
"Illusory Idols/Sacred Objects: The Fake in Freud's 'The Moses of Michelangelo,'" 美国意象60.1 (2003). To be reprinted in a collection by Cambridge Scholars Press.
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"'How much did you pay for this place?': Fear, Entitlement, and Urban Space in Bernard Rose's Candyman," 相机 针孔 37 (1997). Co-authored with Sianne Ngai. Reprinted in The Horror 电影 Reader, eds. Alain Silver and James Ursini (New York: 聚光灯下的版本/Proscenium Publishers, 2000).
