书
Worldly Spirits, Extra-Human Dimensions, 和 the Global Anglophone Novel. 布鲁姆斯伯里出版社，2023年12月出版
Novel Creatures: Animal Life 和 the New Millennium. 劳特利奇,2018. (Perspectives on the Non-Human in Literature 和 Culture Series)
期刊文章和书籍章节
“Altering Time, Altering States: Contemplative Geopolitics in the South Asian Anglophone Novel.”ASIANetwork交换,卷. 28, no. 1、2022,doi: http://doi.org/10.16995/ane.8144. (Special issue “Imagining Geopolitics Across Media 和 Artforms in Asia 和 Beyond,(编者:孔贝琳达、郭少华)
“大游戏中的高希: 阴影线 作为1857年后和911后的阅读.” 阿米塔夫·高什的教学方法，由高拉夫·德赛和约翰·C. Hawley, Modern Language Association of America 出版物, 2018, pp. 129-136.
“Before After: Amitav Ghosh的 Pre-1856 Cosmopolis as Post-9/11 Lost Object.” The City Since 9/11: Literature, Film, Television, edited by Keith Wilhite, Fairleigh Dickinson University Press, 2016, pp. 161-175.
“Animal Worlds 和 Anthropological Machines in Yann Martel’s Millennial Novel 少年派的奇幻漂流。.” Creatural Fictions: Human-Animal Relationships in Twentieth- 和 Twenty-First-Century Literature, edited by David Herman, Palgrave Macmillan, 2016, pp. 173-192.
“From Necropolis to Polis: Melancholic Citizenship in 费利克斯的孟买.” 情境中的精神分析, edited by Alvin Henry, Cambridge Scholars, 2013, pp. 222-246.
“阴影线 as Outline for a Planetary Oblique Archaeology.” Amitav Ghosh的 阴影线:一本批评选集，由桑迪普·艾因编辑，《世界观》，2011年，第6页. 204-223.
"殖民城市作为倒置的实验室 费利克斯的孟买 和 加尔各答染色体.” 叙事理论杂志,卷. 39, no. 3, 2009年秋季，页. 347-368.
“Time 和 Its Countermeasures: Modern Messianisms in Woolf, Benjamin, 和 Agamben.” 现代主义与理论:一场批判性辩论，斯蒂芬·罗斯主编，劳特利奇出版社，2009年，第6页. 86-98.
“加密祖先:石黑一雄的 《日之余韵 及其不可思议的传承.” The Asian Gothic: Essays on Literature, Film 和 Anime, edited by Andrew Hock Soon Ng, McFarl和, 2008, pp. 73-87.
“Virginia Woolf 和 Michele Montrelay’s Unconscious Signifier.” 弗吉尼亚·伍尔夫杂记,卷. 第52期，1998年秋季，页. 5-6.
书评
回顾 Ecospectrality: Haunting 和 Environmental Justice in Contemporary Anglophone Novels——劳拉·A. 白色。. Kritikon Litterarum,卷. 49, no. 1-2, 2022, pp. 171-174.